Difference between revisions of "Qazmay Yira"
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===1877-1892: Samadar=== | ===1877-1892: Samadar=== | ||
Yira was born on July 15 of 1877, on the outskirts of [[Samadar]]. Her father Ğerqan Qāzşim worked as an officer of the [[National Army | Imperial Army]] and was known for holding honours during the Komani-Balak conflicts. Her mother Qāzmay Bāshāna was a renown tapestry weaver and owned her own textile industry. Yira spent most of her childhood living in the Usağdaş district near [[Samadar]] | |||
Revision as of 11:29, 9 February 2018
Qazmay Bashana Yira (also Qazmay Yira or Qozmay Yira) (Koman language: Qāzmay Bāshāna Yira, . Qāzmay Bāshāna Yira .) (1877–1948) was a Koman painter and poet, known for having contributed to the Koman neo-traditionalist trend and for developing a unique art style. She was credited by the Şāzay regime for her role during the Koman re-education efforts and promotion of Koman culture and art.
Biography
Shining night 1919. Yehayi towers from the Great Horde.
The Red Empress 1889, a depiction of the coronation of Empress Wori Usmēy.
Old Samadar 1896.
Koman Rose 1924, portraying of a Koman princess.
1877-1892: Samadar
Yira was born on July 15 of 1877, on the outskirts of Samadar. Her father Ğerqan Qāzşim worked as an officer of the Imperial Army and was known for holding honours during the Komani-Balak conflicts. Her mother Qāzmay Bāshāna was a renown tapestry weaver and owned her own textile industry. Yira spent most of her childhood living in the Usağdaş district near Samadar